{"id":1536,"date":"2025-10-27T23:41:03","date_gmt":"2025-10-27T23:41:03","guid":{"rendered":"https:\/\/nicolasteste.com\/?p=1536"},"modified":"2026-02-19T23:50:53","modified_gmt":"2026-02-19T23:50:53","slug":"arkel-at-the-grand-theatre-de-geneve","status":"publish","type":"post","link":"https:\/\/nicolasteste.com\/de\/2025\/10\/27\/arkel-at-the-grand-theatre-de-geneve\/","title":{"rendered":"Arkel im Grand-Th\u00e9\u00e2tre de Gen\u00e8ve"},"content":{"rendered":"<p>&#8222;&#8230;most striking of them all Nicolas Test\u00e9 as Arkel, whose rich, dark tones filled the stage, radiating kindness in an ambiguous world.&#8220;<\/p>\n<p><a href=\"https:\/\/bachtrack.com\/fr_FR\/review-pelleas-melisande-jalet-cherkaoui-abramovic-burger-eriksmoen-grand-theatre-geneva-october-2025\" target=\"_blank\" rel=\"noopener\">Bachtrack<\/a><\/p>\n<p>&#8222;Nicolas Test\u00e9 pr\u00eate \u00e0 Arkel une autorit\u00e9 qui repose sur une assise grave bien ancr\u00e9e, un legato tenu sans lourdeur, et une articulation homog\u00e8ne sur tout l\u2019ambitus. Les graves se posent avec naturel, la colonne d\u2019air reste r\u00e9guli\u00e8re, et si quelques rares notes extr\u00eames cherchent l\u2019appui dans l\u2019acte IV, l\u2019intonation se stabilise aussit\u00f4t pour laisser la parole rayonner.&#8220;<\/p>\n<p><a href=\"https:\/\/www.olyrix.com\/articles\/production\/8598\/pelleas-et-melisande-debussy-grand-theatre-geneve-opera-26-octobre-2025-article-critique-compte-rendu-maeterlinck-valcuha-jalet-cherkaoui-abramovic-herpen-schoenebaum-brambilla-bollen-biggins-buerger-eriksmoen-melrose-teste-koch-bozzi-kurmanbayev\" target=\"_blank\" rel=\"noopener\">\u00d4lyrix<\/a><!--more--><\/p>\n<p>&#8222;Mais la palme du beau chant va \u00e0 Nicolas Test\u00e9 qui dessine un magnifique Arkel. Appuy\u00e9 sobrement sur une canne blanche, seule r\u00e9f\u00e9rence \u00e0 sa c\u00e9cit\u00e9, il distille avec art les apophtegmes du vieux Roi (\u00ab L\u2019\u00e2me humaine est tr\u00e8s silencieuse \u00bb, \u00ab C\u2019\u00e9tait un pauvre petit \u00eatre myst\u00e9rieux, comme tout le monde\u2026 \u00bb, etc.) auquel ses phras\u00e9s impeccables, la beaut\u00e9 de sa voix grave et sa noble sobri\u00e9t\u00e9 parviennent \u00e0 donner une onction de profondeur\u2026&#8220;<\/p>\n<p><a href=\"https:\/\/www.forumopera.com\/spectacle\/debussy-pelleas-et-melisande-geneve\/\" target=\"_blank\" rel=\"noopener\">Forum Op\u00e9ra<\/a><\/p>\n<p>&#8222;La basse Nicolas Test\u00e9 (Arkel) est impressionnant. Dans une \u00e9locution impeccable, il campe un roi d&#8217;Allemonde d&#8217;une autorit\u00e9 imp\u00e9rieuse. Une sant\u00e9 vocale \u00e0 nous faire douter du grand \u00e2ge de son personnage et de la maladie qui le poursuit. Mais ne nous plaignons pas, les chanteurs d&#8217;une telle qualit\u00e9 sont suffisamment rares pour ne pas s&#8217;en r\u00e9jouir.&#8220;<\/p>\n<p><a href=\"https:\/\/www.resmusica.com\/2025\/10\/29\/a-geneve-la-danse-parasite-pelleas-et-melisande-sidi-larbi-cherkaoui-damien-jalet\/\" target=\"_blank\" rel=\"noopener\">Res Musica<\/a><\/p>\n<p>&#8222;Nicolas Test\u00e9 impose un Arkel de grand seigneur&#8220;<\/p>\n<p><a href=\"https:\/\/www.classiquenews.com\/critique-opera-geneve-grand-theatre-de-geneve-le-26-octobre-2025-debussy-pelleas-et-melisande-b-burger-m-eriksmoen-l-melrose-sidi-larbi-cherkaoui-damien-jalet-marina-abramovic\/\" target=\"_blank\" rel=\"noopener\">Classique News<\/a><\/p>\n<p>&#8222;Nicolas Test\u00e9 dot\u00f3 a Arkel de autoridad y nobleza en el decir&#8220;<\/p>\n<p><a href=\"https:\/\/www.operaactual.com\/critica\/la-belleza-y-el-magnetismo-escenico-de-un-pelleas-con-firma-propia\/\" target=\"_blank\" rel=\"noopener\">\u00d3pera Actual<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8222;&#8230;most striking of them all Nicolas Test\u00e9 as Arkel, whose rich, dark tones filled the stage, radiating kindness in an ambiguous world.&#8220; Bachtrack &#8222;Nicolas Test\u00e9 pr\u00eate \u00e0 Arkel une autorit\u00e9 qui repose sur une assise grave bien ancr\u00e9e, un legato tenu sans lourdeur, et une articulation homog\u00e8ne sur tout l\u2019ambitus. Les graves se posent avec [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1535,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,6],"tags":[],"class_list":["post-1536","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-press","category-press"],"acf":[],"_links":{"self":[{"href":"https:\/\/nicolasteste.com\/de\/wp-json\/wp\/v2\/posts\/1536","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nicolasteste.com\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nicolasteste.com\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nicolasteste.com\/de\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/nicolasteste.com\/de\/wp-json\/wp\/v2\/comments?post=1536"}],"version-history":[{"count":0,"href":"https:\/\/nicolasteste.com\/de\/wp-json\/wp\/v2\/posts\/1536\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nicolasteste.com\/de\/wp-json\/wp\/v2\/media\/1535"}],"wp:attachment":[{"href":"https:\/\/nicolasteste.com\/de\/wp-json\/wp\/v2\/media?parent=1536"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nicolasteste.com\/de\/wp-json\/wp\/v2\/categories?post=1536"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nicolasteste.com\/de\/wp-json\/wp\/v2\/tags?post=1536"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}