LIVE STREAM “A Harlot’s Progress”

News: Okt. 23 2013

Am Donnerstag, den 24. Oktober wird die Opernvorstellung von „A Harlot’s Progress“ ab 19.00 Uhr via LIVESTREAM kostenfrei auf der Website des Theater an der Wien www.theater-wien.at übertragen.

Livestream  (Der Player ist erst am Donnerstag aktiv)

RADIO: Der ORF Radiosender Ö1 überträgt „A Harlot’s Progress“ am Samstag, 16. November 2013 um 19:30 Uhr auf oe1.orf.at
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Musikalische Leitung: Mikko Franck
Inszenierung: Jens-Daniel Herzog
Bühne: Mathis Neidhardt
Kostüme: Sibylle Gädeke
Choreographie: Ramses Sigl
Licht: Jürgen Koß
Dramaturgie: Hans-Peter Frings

Moll Hackabout: Diana Damrau
Mother Needham: Marie McLaughlin
Kitty: Tara Erraught
Mister Lovelace: Christopher Gillett
James Dalton: Nathan Gunn
Coach Driver | Officer | Jailer: Nicolas Testé

Orchester: Wiener Symphoniker
Chor: Arnold Schoenberg Chor (Ltg. Erwin Ortner)

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World premiere in Vienna

News: Aug. 22 2013

Nicolas Testé kehrt ans Theater an der Wien in der Uraufführung von „A Harlot´s Progress“ zurück. Die Oper in sechs Szenen von Iain Bell wird am 13. Oktober 2013 zum ersten Mal aufgeführt. Weitere Vorstellungen sind am 16.,18.,21.,24. und 27. Oktober.

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La bohème / The Metropolitan Opera

Presse: März 31 2014 | David Salazar | Latinos Post

That sense of loss was also beautifully depicted by Nicolas Teste's Colline during his famed "Vecchia zimarra, senti." Teste's voice caressed each phrase, underlying a far deeper meaning than just the loss of the garment; in his pained singing, the listener could grasp Colline's understanding of the tragedy taking place. His final "addio" was held out for a few moments, furthering this sense of loss.

Vivien Schweitzer | The New York Times
The other three bohemians were all excellent: Massimo Cavalletti as Marcello, Patrick Carfizzi as Schaunard and Nicolas Testé, making his house debut as Colline with an elegantly sung “Vecchia zimarra.”

Eric C. Simpson | New York Classical Review
In his company debut, Nicolas Testé brought dark hues with a hint of buffo bounce to the role of Colline, singing a “Vecchia zimarra” that was straightforward, but tender nonetheless.

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