La Bohème an der Metropolitan Opera
News: Mai 01 2022
La Bohème an der Metropolitan Opera
News: Mai 01 2022
In dieser Spielzeit feiert die Met das 40. Jubiläum von Franco Zeffirellis ikonischer Inszenierung von Puccinis La Bohème. Nicolas Testé ist am 16., 20., 24. und 27. Mai an der Met in der Rolle des Colline zu hören, mit Eleonora Buratto als unglückseliger Näherin Mimì an der Seite der Tenöre Matthew Polenzani, Stephen Costello und Russell Thomas, die sich in der Rolle ihres Liebhabers, des Dichters Rodolfo, abwechseln. Sopranistin Aleksandra Kurzak und Bariton Quinn Kelsey sind als Musetta und Marcello zu hören, am Pult steht Eun Sun Kim.
Mehr Einträge
Recital in Santa Monica
News & Presse: Apr. 27 2022 | Parterre
Mr. Testé then gave us the Claudius” Act III aria from Thomas” Hamlet “Je t’implore, ô mon frère” which fell on fresh ears to say the least. His bass is bright and easy at the top... Mr. Testé opened the second half with the substitution of Gremin’s last act aria from Eugene Onegin... This was a beautifully intimate performance that brought forward all of the autumnal joy inherent in that piece. He also landed that tricky finale with no trouble.
„Mr. Testé then gave us the Claudius” Act III aria from Thomas” Hamlet “Je t’implore, ô mon frère” which fell on fresh ears to say the least. His bass is bright and easy at the top… Mr. Testé opened the second half with the substitution of Gremin’s last act aria from Eugene Onegin… This was a beautifully intimate performance that brought forward all of the autumnal joy inherent in that piece. He also landed that tricky finale with no trouble.“
La Bohème at the Metropolitan Opera
News & Presse: Mai 18 2022 | New York Classical Review
As Colline, Nicolas Testé sang a moving farewell to his treasured overcoat. His bass voice is leaner and cleaner than many, and all the more effective for it.
„As Colline, Nicolas Testé performed “Vecchia zimarra” with a gentle touch, It’s a role the bass-baritone has sung at the Met before, and his approach changed my attitude toward the number, aiding my understanding of the significance of the character’s sacrifice.“